Books

 

STUTTERS

A soft cover accordion book. Letterpress printed with polymer plates taken from graphite drawings. The text was written on a Smith Corona typewriter. How much goes unsaid? Printed in 2018. Edition of 30. 


 

 

 Mulch

A book of composted words and definitions sourced from Merriam Webster and the surprises of google translate. Printed in 2018. Edition of 10.


 

 

Trio of Zines

Chitter Chatter, Fog Variations, and Let us Change the Eyes, printed in 2018. Edition of 30.


 

 

The Wonder Lot

A hybridization of questions and answers selected from Thomas Pynchon’s The Crying Lot of 49 and The Book of Wonder, a children’s book published by the University of Knowledge Inc. Made in the Summer of 2017. Edition of one.


 

 

Fruit and Flesh

Pocket erotica of fruit and flesh. Six envelopes of cropped photo transparencies. Made in the Summer of 2017. Edition of one.


 

 

House for a Poem

A book structure invented on a July afternoon for 33 Seconds of Afternoon. Made in the Summer of 2017. Edition of one.


 

Calligraphy

Scribed in the scriptorium of the Wells Book Arts Center in Aurora, NY. Summer of 2017. Other projects here.


 

Whitehead_1_In Part_1

Whitehead_1_In Part_2

 In Part

An accordion artist’s book inspired by the continuity of ancient scrolls, made in 2016. Detailed interior images here. The book contains elements of research from my time at the Burren College of Art, coordinated mostly around the theme of the fragment. How are relationships forged with the past? Fragments are often the only forms which persist after long swathes of time. I wondered how fragmentary shapes live on and influence our consciousness. What can be learnt about ourselves through their material contemplation?  The motion of the book flows through various poems and prose writings on greek torsos, sapphic fragments, irish bog bodies, meditations on longing, memento mori, and journal entries of recent experiences. Throughout the book images rendered in water colour, ink, and collage, interact with the text. The final manifestation of this project was realized in a multi-media installation, which dialogued with large scale oil paintings, drawings, and sculpture. Edition of one.